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Sound Recipe - New Wave Clean Chorus Guitar

Target

Bright, jangly, chorus-drenched clean guitar — the Johnny Marr / early Cure / Magazine / Siouxsie-adjacent new-wave chime. Not a lead hook like Enjoy the Silence; this is rhythm and shimmer: arpeggiated or percussive chord fragments that fill space around synths and vocals without fighting them.

The sound should feel:

  • Clean and chimey (no breakup)
  • Wide and shimmery (chorus is the identity)
  • Percussive and rhythmic (short notes, muted feel OK)
  • Slightly compressed and even
  • Supportive, not starring

Follows the house method: intention → source → preset/plugin start → routing → settings → automation → taste checks.


Useful References

  • Johnny Marr (The Smiths) — clean arpeggiated rhythm as architecture
  • The Cure — bright chorus rhythm guitar (not the wet lead recipe in Dream-Pop Post-Punk)
  • Magazine / early post-punk new wave — chime + chorus width
  • Adjacent: Enjoy the Silence (melodic lead), Dream-Pop Post-Punk (shimmer atmosphere)

Steal the jobs: rhythmic clean chime, chorus width, short percussive voicings — not a lead line.


Best For

New-wave rhythm guitar, jangly arpeggios under synth beds, Britpop-adjacent chime, filling midrange when synths own the low end and air.


Source + Tone Chain

Stage ⭐ Start From Going For
Guitar ⭐ Gretsch 5120 (TV Classics), bridge or both pickups Bright chime, short decay
Guitar alt Gretsch Country Club More body if 5120 is too thin
Amp ⭐ UAD Dream '65 (in Paradise Guitar Studio), clean Premium clean platform
Amp (fast) Bogren DUET clean Speed when writing
Compression ⭐ UAD LA-2A / 1176 light Even arpeggios, sustain without squash
EQ FabFilter Pro-Q 4 HPF ~100 Hz; tame 2–4 kHz pick if harsh; small 8–10 kHz air
Chorus ⭐ UAD Studio D Chorus / Dimension D, or Roland JUNO-60 chorus as synth double Lush new-wave width

Optional synth double (when no guitar take): Roland JUNO-60 / JUNO-106 ⭐ or Arturia Memory V — short plucky arps with onboard chorus, same register as the guitar would occupy.


Chorus (signature)

Setting Start Notes
Type Studio D Chorus / Dimension D mode II–III Rich analog chorus
Depth Moderate Felt, not seasick
Rate Slow–moderate Slow = shimmer; faster = 80s animation
Mix ~40–55% Keep dry attack for rhythmic clarity

Space

Send Start Notes
Reverb Short bright plate/room Eventide SP2016 / Lexicon PCM; HPF return ~250 Hz
Delay 1/8 dotted or 1/4, low mix Optional — Cascadia / El Capistan for movement

Less space than dream-pop atmosphere recipes — this part is midrange rhythm, not a wash.


Fast Path

  1. 5120 clean arpeggios → Dream '65 → LA-2A → Studio D Chorus
  2. Or JUNO-60 / Memory V pluck arp with chorus I/II instead of guitar
  3. Short plate send, low; keep dry rhythm forward

Adjustment Rules

Problem Try
Too thin Country Club pickup; thicken with JUNO double an octave up, quiet
Muddy with synths HPF guitar; simplify voicings; carve 300–500 Hz
Too pretty/dream-pop Less reverb; drier chorus mix; more muted picking
Not wide enough Dimension D; MicroPitch ±6 cents on a duplicate

Common Mistakes

  • Treating it as a lead (this is rhythm architecture)
  • Same chain as Enjoy the Silence — that recipe is a singing hook; this is chime and pulse
  • Drowning in reverb (kills the jangle)
  • Competing with synth chorus beds in the same octave

Closest Tools I Own

Guitar: Gretsch 5120 / Country Club, UAD Dream '65 (Paradise), Bogren DUET, Vox AC15HW1X Synth double: Roland JUNO-60 / JUNO-106, Arturia Memory V, NI 80s New Wave (situational) Mod/space: UAD Studio D Chorus / Dimension D, Eventide MicroPitch, Eventide SP2016, Lexicon PCM, iZotope Cascadia Comp/EQ: UAD LA-2A / 1176, FabFilter Pro-Q 4



Practical Summary

Play short, clean, chimey arpeggios or percussive chord fragments with heavy chorus and light compression. Keep space dry-ish and midrange-focused so synths and vocal stay king. If you don't have a guitar part ready, JUNO-60 or Memory V with chorus does the same job. The expensive feel is width + rhythmic clarity, not wet ambience.